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Carlo Bergonzi: The Master Craftsman Of Violins

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Carlo Bergonzi gehört neben Antonio Stradivari, Nicola Amati und Giuseppe Guarneri del Gesù zur Spitzenklasse des historischen italienischen Geigenbaus. Dies zeigt sich auch an der The Violins of CARLO BERGONZI (Cremona, 1683 – 1747) The Lost Poem (Violin Wonders) 1.91K subscribers Subscribed CARLO BERGONZI LABELED VIOLIN & BOW: Late 19th Century reproduction, labeled Anno 1757 Carlo Bergonzi, face en Cremonae. Sold with unmarked bow and black painted wood

Carlo Bergonzi I, Cremona, c. 1733-35, the ‚Kreisler, Perlman‘

Nicola Bergonzi Violin maker (1754 – 1832) Grandson of Carlo Bergonzi and elder brother of Carlo Antonio, Nicolò Bergonzi began making instruments around 1777 and was a close

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From its emergence in the 16th century, the violin has played a leading role in classical music. As well as providing us with some of the Considered a master in his own right, Carlo Bergonzi’s reputation is second only to his contemporaries, Stradivari and Guarneri’ del Gesù.’ His Violin C.A. Wunderlich Branded „C.A. Wunderlich“ €3.500,00 Carlo Bergonzi Violin (kopie) €4.000,00 Josef Skalsky

Carlo Bergonzi (21 de diciembre de 1683 – 9 de febrero de 1747) fue un lutier italiano y es el primer y más destacado miembro de la familia Bergonzi, distinguido grupo de lutieres de An early Italian luthier credited with creating the violin in its modern form. Carlo Bergonzi (1683–1747): A contemporary of Stradivari and Guarneri, his violins are considered

Information about famous early violin makers: Gasparo da Salo, Andrea Amati, Nicolo (Nicolaus) Amati, Bartolomeo Giuseppe Guarneri, Carlo Bergonzi Carlo Bergonzi’s violins are often described by players as a cross between ‘del Gesù’ and Stradivari in terms of playing quality. While this is understandable considering the

Carlo Bergonzi I (1683-1747) Carlo Bergonzi’s luthier pedigree remains unknown; some music historians posit that he studied

This beautiful Carlo Bergonzi Violin just came into our store. The label inside says „Anno 1757 Carlo Bergonzi, fece in Cremona, made in Germany“ (see photos). It appears to be in

2023 Carlo Bergonzi Violin

  • Archivio della Liuteria Cremonese
  • 2023 Carlo Bergonzi Violin
  • Digital Violin Archive Project of Chimei Museum

Your label probably once read as follows: Anno 1733 Reuifto e corretto da me Carlo Bergonzi in Cremonae That’s a repair label which says „Revised and corrected by me,

A rare and important violin by Carlo Bergonzi recently sold by Bein & Company. Made at the peak of the Golden Age of Cremona, the ‚Brooks, Spector, Reiffenberg‘ Carlo Bergonzi is one of the In a violin appraisal, it’s important to identify if a violin label is original. There are three questions a violin appraiser will ask. One is, „What color is the label?“ Carlo Bergonzi, c. 1740, „Kreisler“, ex. Perlman Carlo Bergonzi: A Cremonese Master Unveiled (supplement to The Strad, June, 2010), Christopher Reuning, editor, Consorzio Liutai Antonio

Nicola and his younger brother, Carlo II Bergonzi (1757-1836) are both influenced by the Stradivari family and the later works of Guarneri del Gesù. Nicola sometimes combined the

Craftsman checking quality and playing violin in his old | Premium AI ...

Readers who require further information may wish to consider purchasing the catalogue for the Carlo Bergonzi exhibition which was held in Cremona in 2010: Carlo Bergonzi: a Cremonese

photo source: Tarisio Carlo Bergonzi’s history with violin making is not completely known, but music historians agree that his influences probably came from the Guarneri and 18世紀クレモナのカルロ・ベルゴンツィをモデルにしたバイオリン。力強いアーチが特徴で、ソリストにも愛される名器

Explore the top 10 Italian violin makers and their masterpieces. Discover the rich history and timeless elegance of these classical instruments.

Violins for sale at Select Violins

Carlo’s son Michele Angelo and grandson Nicolo continued the violin making tradition until about 1800, though they never achieved the same degree of finesse. Bergonzi’s works feature In 2008, he was curator of the exhibition, “Cremona 1730–1750, the Olympus of Violinmaking” and editor of the exhibit catalogue. He performed the same roles for the landmark 2010 exhibit, Select Violins individually showcases each violin for sale with close-up photos and a tone evaluation chart.

References The Strad, 1913, London, Feb 1913 (illustrated) Violins & Violinists, February-March, 1949, Ernest N. Doring, William Lewis & Son, Chicago Carlo Bergonzi: A Cremonese Master As for his influence as a teacher, here is a partial list of his probable apprentices and the master makers working in the Nicolo Amati shop: Antonius Stradivarius, Giuseppe The Carlo Bergonzi violins in Baron Johann Knoop’s collection Treasures of Italian Violin Making, Vol. III published by Edizioni Scrollavezza & Zanrè and Jan Röhrmann, 2022 Foreword by

Storioni, who was born in Cremona in 1744 and died there in 1816, is widely credited with sustaining the great Cremonese tradition through the late

The two violins by Carlo Bergonzi now known as the ÒKreisler, PerlmanÓ and the ÒEarl of Wharncliffe, Knoop, LandauÓ do not only have in common the fact that they both belonged to The Girolamo Amati Viola (I), The 1690 Tuscan Violin (II) & The Carlo Bergonzi violins in Baron Johann Knoop’s collection (III).

Carlo Bergonzi I, Cremona, c. 1732-34, the ‚Perkin, Burnford‘

Francesco Rugeri[a] (c. 1628 – 28 October 1698) was an Italian master luthier from Cremona, Italy. The first of the important lutheir family Casa Rugeri, his violins were inspired by Nicolò

Violin made by Carlo Bergonzi in 1735 in Cremona, also known as “the Kreisler Bergonzi”, after the great violinist Friedrich “Fritz” Kreisler. Guro Kleven Hagen plays on this instrument.

Carlo Antonio Lorenzo Bergonzi II Violin maker (1757 – 1836) It has been suggested that Carlo Antonio Lorenzo Bergonzi, the last and least-known violin maker of his family, was a teacher of Even Carlo Bergonzi was not content with the unsurpassable designs of Stradivari, and seems to have taken the earliest opportunity of asserting his freedom. In fact, from the pioneer Brescians Carlo Bergonzi eventually moved into the Casa Stradivari in 1746 after the master’s death in 1737 and even completed some of the unfinished violins by Antonio Stradivari.

Alongside Amati, Stradivari and Guarneri del Gesù, Carlo Bergonzi ranks among the master luthiers who were to establish Cremona’s international reputation as a center of quality There have been many speculations and assumptions made about Carlo Bergonzi (1683–1747) and his contribution to Cremonese